Images from the movie (frame captures from Super 16mm to NTSC transfer) Technical details below (lens / film stock). Note: Still images from a movie (particularly from NTSC transfer) always look “soft” compared to the motion image.
The stripper calls for help from the bathroom – Kinoptic 5.7mm T2 Tegea @ T2.0 / Vision 320T
Sherman Aikers (Michael Childers) and Fat Ronnie (Duke Kloss) in the back of a limo – Kinoptic5.7mm T2 @ T2.3 / Vision 320T
Tracy and Rev. Stone – Illumina 8.0mm T1.3 @ T1.7 / Vision 320T
Arresting Slim – Illumina 8.0mm T1.3 @ T2.3 / Vision 320T
Slim (M.D. Selig) and Audrey (Lisa Robert) on the porch at night – Angenieux 12-1 HR zoom @ 11.5mm & T2.3 / Vision 320T
Playing pool at the club (Boogies). Always nice to see that credit! – Angenieux 12-1 HR zoom @ 20mm & T2.3 / 7245 at EI 100
Medum closeup of Slim (M.D. Selig) outside the club – Angenieux 12-1 HR zoom @ 55mm & T2.3 / Vision 320T – note the pleasing bokeh of this lens
Audrey (Lisa Robert) outside the club – Angenieux 12-1 HR zoom @ 55mm & T2.3 / Vision 320T – again the nice bokeh which makes S16 look so much more like 35mm
Angenieux 12-1 HR zoom @ 75mm & T2.3 / Vision 320T Angenieux 12-1 HR zoom @ 75mm & T2.3 / Vision 320T
Johnny Deal (Rico Cymone) and Cheif Atwood (Lee Harris)
Zeiss 25mm T1.3 Mk.2 @ T1.5 / Vision 320T
Tracy (Kristi Wirz) dancing. Angenieux 12-1 HR zoom @ 20mm & T2.3 / 7245 50D at EI 100 (push 1 stop)
A-camera was a 16SRII-E converted to Super 16 & PL mount by P+S Technik, provided by CinemaTechnic
B-camera was a Super 16 converted Arriflex 16S (principal photgraphy), and a 16SRII B-cam and 16S-S16 C-cam (re-shoots)
All images on this page are from the A-camera.
Angenieux 12-1 HR Zoom is the 11.5 – 138mm T2.3 lens.
Images on this page from the club (Boogies) were captured on 7245 EXR 50D pushed 1 stop to EI 100.
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