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CinemaTechnic

About CinemaTechnic

CinemaTechnic History


Services

Cine Lens Service

Service for Carl Zeiss Cine Lenses


Cine Optics

Modern Cine Lenses – Index

Vintage Cine Lenses – Index

Arriflex Carl Zeiss Standard Primes

Arriflex Carl Zeiss High Speed Primes

ARRI Zeiss Ultra Primes

ARRI Zeiss Master Primes

ARRI Zeiss Master Anamorphic

Bausch & Lomb Super Baltar

Canon K35 Aspheric Primes

Carl Zeiss Compact Prime CP.2

History of High Speed Cine Lenses

Angenieux 11.5-138mm T2.3 HR 12x

Angenieux 12-120mm T2.1 HEC 10x


Motion Picture Film Cameras

Motion Picture Film Cameras Index

Shooting on Film Today

ARRIFLEX 35-II Series

ARRIFLEX 16St / 16M

ARRIFLEX 16BL

ARRIFLEX 35BL Series

ARRIFLEX 16SR Series

ARRIFLEX 35-3

ARRIFLEX 416

Advice for First-Time Movie Film Camera Buyers

Motion Picture Film Camera Maintenance

Motion Picture Film Camera Service by CinemaTechnic


Equipment Sales

Equipment Index

Pre-Owned Cine Lenses

Pre-Owned Cine Cameras

Pre-Owned Cine Camera Accessories

Camera Filters

Film Formats

Super 16mm

History of Super 16mm

Super 16 Format Conversion of ARRIFLEX 16SR

Super 16 Conversion of Zoom Lenses

Image Quality of Super 16

Super 16 Viewing Screens (Ground Glass) for 16SR

Super 35mm


Movies I’ve Worked On as DoP

Never Look Back / Alwasy Something Better Movie

Southern Justice Movie

Southern Justice

Southern Justice Bio

Southern Justice Images (framegrabs)

Southern Justice Workflow

Jamaica Motel

Commercial Spots I Was DoP On

The Times Crew – Fay

The Times Crew – Johnny

Florida Marlins 2000


Service Tools for Cine Optics and Cameras

Autocollimators

Richter Cine Autocollimators

Habegger Lathes

Schaublin Lathes


Digital Cinema


Downloads

Zoom Lens Comparison Chart

Angenieux 11.5-138mm HR lens


General Resources

Avoiding Fungus Damage

 

 

NOTICE

©2016 Jorge Diaz-Amador. All text, images and other content on this site are original copyrighted works. CinemaTechnic and Jorge Diaz-Amador own exclusive rights to this content under the United States Copyright Act of 1976. Unauthorized use and/or duplication of this material without express and written permission from this website’s author and owner is strictly prohibited.

Short excepts and links may be used, provided full and clear credit is given to Jorge Diaz-Amador and CinemaTechnic with appropriate and specific direction to the original content.

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Optics for Motion Pictures and Digital Cinema

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