CinemaTechnic | Used Digital Cinema and Motion Picture Film Camera Accessories and Spare Parts
Reasonable offers and trades for cine or professional still camera lenses or cine lens parts will be considered. email
Keep in mind that equipment purchased for rock-bottom prices ALWAYS has inherent problems and will require many hours of costly service work and spare parts which are in very short supply.
When you buy from CinemaTechnic you are paying for peace of mind. You have my assurance that anything you buy from CinemaTechnic is ready to shoot the day you get it. No nasty surprises.
Unless noted, only one of each item is available. If you’re interested get in touch now before it’s gone:
COMPATIBILITY: Follow Focus and Zoom Controls are the same for Film and Digital Cinema cameras, regardless of film gage or digital resolution. CinemaTechnic sells accessories that are compatible with ARRI standards.
FOLLOW FOCUS – ARRI Compatible, for Digital Cinema and Motion Picture Film Cameras
ARRI Prime Lens gear for Follow Focus 2 or newer, modified for clearance on 35mm cameras with mirror shutter below lens mount (ARRI 35BL, 435, 535, ARRICam, Moviecam). Machined and re-anodized. Will not scratch paint off these cameras. $145.-
ARRI ARRI Cooke Zoom gear for Follow Focus 2 or newer, mint cond! $95.-
ARRI ARRI Prime Lens gear for Follow Focus 2 or newer, special Teflon impregnated Delrin (bown Panavision style) will not scratch or scuff lens focus gears $145.-
ARRI ARRI FF2 Studio Follow Focus, with right and left hand knobs, Zeiss and Cooke gears, whip and crank. Fully overhauled and repainted ARRI gray. Fits 15mm rods.
Cinetech Cinetech follow focus, with right and left hand knobs, gear, marking disc, fits 15mm LWS rods (mini rods).
NOTE: These zoom control items are professional Cinema style and are not intended to be compatible with any lens servo units or built-in zoom controls that are integrated into digital cameras. They are stand-alone units. All units require 12V DC power (except Chrosziel Fluid Zoom).
Cinema Products J6 Zoom Control, fully overhauled, with Microforce style cable and CP J4 zoom Motor modified with Microforce compatible LEMO connector. Controller body painted ARRI Gray. $1450.-
Preston Microforce V+F Zoom Control System, with Heden M26T motor, Y-cable with 11pin Fischer plug
Heden M26T Zoom Motor (correct motor for analog Microforce) (includes 33mm eccentric, requires gear, available from Preston Cinema, gear choice depends on your application)
Preston 1146 Swing Arm Bracket for Heden M26T motor, for 15mm rods
CP-J4 Cinema Products J4 Zoom Motor, with 4-pin XLR connector
$ 395.- SOLD (we have only one CP J-4 available with the CP J-6 kit listed above)
Cinema Products J4 “Joystick” Zoom Conrol – Complete system with: J4 Servo Zoom motor, zoom speed control box with built-in rechargable NiCad battery (new cells), and charger. Sold for $2,200 new in 1985
Cinema Products J5 Handgrip Zoom Conrol – Modified by CinemaTechnic to work with 16SR, Includes cable, J4 Motor W/ Microforce compatible LEMO connector. Microforce style black paint.
Chrosziel Fluid Zoom
1 unit with 41.6mm rings and 40.8mm fine pitch gear (that is likely a timing pulley for a belt). Black label.
1 unit with 49.5mm rings and no gear. Pink label.
Both units compatible with brackets that have Ø33mm holes, and accommodate gears that are 6mm wide and have an 8mm bore.
Your choice $295.-
Also available is a bracket to hold either a Ø33mm eccentric zoom motor or one of the above fluid zoom units on a Zeiss 10-100 T2 or 11-110 T2.2. NOTE: The fluid zoom units will only fit on the 10-100 T2 Mk.I with this bracket.
Preston Cinema Heden to J4 Adapter – Adapts Heden M26T zoom motors to lens brackets designed for J4 (large) zoom motor.
Heden style zoom motor to Zeiss Vario-Sonnar bracket – inquire
BRIDGE PLATES / DOVETAIL BASES
Compatibility: 35mm style bridge plates will work with most 35mm film cameras and Digital Cine cameras that are designed to be compatible with them.
16mm bridge plates are camera specific, and are only available for the ARRI 16 SR 1-2-3 and Aaton LTR-XTR series.
CinemaTechnic LWBP-16 – For 15mm Studio Rods. A small number of these new version interchangeable top plate units left. Compatible with ARRI 16SR 1-2-3 or can be adapted to other cameras. Go from sticks to hand held in 5 seconds.
CinemaTechnic LWBP-35 – For 15mm Studio Rods. New version using interchangeable top plate. Compatible with ARRI 35mm and other 35mm cameras that conform to ARRI standard: ARRI 35IIC, 35IIC, 35III, 35BL, 435, 535, ARRICAM ST, ARRICAM LT, Moviecam Compact, Moviecam SL.
VD UK Aaton LTR-XTR Conversion Plate for Van Diemen 16SR Bridge Plate very rare $145.- allows Aaton X series 16mm cameras to be used with Van Diemen Bridge Plate
FILM CAMERA ACCESSORIES
GROUND GLASS / VIEWING SCREENS
ARRI 16SR fiber optic viewing screens. Fits Arriflex 16SRI, 16SRII, 16SR3, 16SR3A, 416.
1.77:1 (16:9) Super 16 (converted, no light meter markings) for 16SR 1-2-3-3A)
$750.- no waiting! SOLD
Super 16 converted fiber optic screen for 16SR series (your choice for four patterns) $652.- NOTE: This item requires payment in advance and turn-around time to be quoted at time of order.
1.37:1/TV standard 16 (16SR3 style) $295.-
1.37:1/TV standard 16 (standard for 16SR2) $195.-
1.37:1/TV standard 16 (standard for 16SR1 ) $145.-
ARRI 35mm Ground Glass Style 1 Fits: Arriflex 35IIC / Arriflex 35IIIC, Arriflex 35-III
*We have a few GG available. Will be updated soon. For now please email.*
16SR Magazine Super 16 Coaxial 400 ft
ARRI 16SR3 Magazines – we have good condition used mags available, both regular and High Speed. Please inquire via email.
400′ mag, upgraded to S16 compatibility by Axel Broda Arriflex Technic. All late model SR2 magazine updates (new style feed core, pressure plate, etc.) Freshly serviced, original black paint in excellent condition.
I’ve been working on ARRI 16SR cameras for over 20 years. This is one of the best condition magazines I’ve ever come across.
16SR2-HS Magazine Super 16 – late model 400′ HS mag with all ARRI updates, upgraded to S16 compatibility by CinemaTechnic. Gray paint. Excellent condition. $975.- last one!
SPEED CONTROLS AND DISPLAYS
Cinematography Electronics Precision Speed Control Mk. II
The best digital speed control ever made for ARRI 16SR / ARRI 35-3 and 35 BL III/IV. Controls camera speed in .001 fps increments. Includes digital active tachometer (camera speed) and film use counter (feet or meters, switchable) with memory – won’t loose count when camera is shut off. Automatic camera detection prevents setting speed higher than camera maximum. Switchable internal speed limiter. Works with most Aaton, ARRI and Panavision film cameras, including 3-perf 35mm. ARRI 11 pin Fischer cable and dogbone bracket included. Cables available at additional cost for Cost for Aaton, ARRI 435, 535, SR3. Excellent condition. Only one available. First one we’ve had available in 10 years. Original cost
$3,300.00 Price: $789.- SOLD
Cinematography Electronics Remote Tachometer / Counter Mk. II
A Precision Speed Control Mk.II without speed control capability. Includes digital active tachometer (camera speed) and film use counter (feet or meters, switchable) with memory. Automatic camera detection. Works with most Aaton, ARRI and Panavision film cameras, including 3-perf. Excellent upgrade for ARRI 16SR 1-2 which don’t have footage or frame counter built-in. Know if you have enough film for the next take!
C.E. Tach/Counter with ARRI Fischer-11 cable: Original cost
(Cables available at additional cost for Cost for Aaton, ARRI 435, 535, SR3)
ARRI EFC 16SR Remote Tachometer / Footage Counter
This is the original and rare EFC 16SR. Displays camera speed in FPS and footage used in feet. Connects to the 16SR’s Fischer-11 accessory part. Incorporates a battery to maintain memory of footage used when camera is switched off.
This unit makes up for one of the defects of the 16SR – the lack of a display. Can be used simultaneously with the analog variable speed control (ARRI VSU) and an 11-pin Fischer splitter box (such as the ARRI ZV) Difficult to find –only about 200 of these units were made.
This is a reconditioned unit in excellent condition with new insulation on the cable and repainted cover (ARRI gray).
NOTE: The red LED above the “reset” button indicates that the internal memory battery is dead. This photo was taken before I received a new memory battery. With the new battery installed the unit now functions correctly and the LED is extinguished.
ARRI EFC 16SR: $395.- NOTE: we have this rare item available again due to the customer upgrading to a C.E. speed control. Don’t hesitate if you need an inexpensive solution to knowing film use on the ARRI 16SR I/II.
Cinematography Electronics 16SR 1-2 Built-In Speed Control
A great upgrade for ARRI 16SR cameras. This unit takes the place of the 16SR I/II light meter. The unit combines an expanded crystal speed range, digital readouts, and other features for the 16 SR 1, 2 and 16 SRHS 1, 2 cameras. The SR SPEED CONTROL provides 75 crystal speeds for the standard SR camera and 150 crystal speeds for the SRHS camera.
Precise speed selections in one frame increments are easily accomplished with the push button digit switches that are protected by an integral sliding door. An out of sync beeper with adjustable volume chirps when the camera is not running at the selected speed.
Bright red LEDs display the camera speed in frames per second (fps), and the film count in either feet or meters. Two battery indicator LEDs show the voltage condition of the camera battery at all times.
Original cost of the C.E. 16SR Speed Control: $3500.- (not including installation)
Used C.E. 16SR Speed Control, includes mounting parts and wiring harness (requires installation): $895.- last one!
Installation cost (at Cinematography Electronics) $400.-
Tobin (TCS) TMC2-LCD Milliframe controller. Less than 10 of these were built. This special TMC2-LCD was custom built by Clive Tobin for CinemaTechnic by special request. We needed a digital speed control with a footage counter display to test ARRI 16SR cameras on the bench, and also verify the correct output from the 11 pin Fischer port (camera speed and footage count). Clive had discontined the original TMC2 LED version. He agreed to rig up a one-off LCD version whith a frame counter only. He ended up over-delivering with a full working frame counter, the only drawback being no memory buffer and no reset button. Since all TMC models are discontinued, your only options are to find a barely used one like this, a used one, or just buy a CE PSCII as above for $3300. Includes 11 pin Fischer connector cable.
ARRI Digitach: Digital footage and frame rate plus analog variable speed control for ARRI 16 SR
ARRI Arriflex 35-3 Mk. I Full Aperture Film Gate 18.6 x 24mm Super-35 $575.00
ARRI Arriflex 16SR film gate modifed to Super 16 format by CinemaTechnic
Full 7.5 x 12.35mm Super 16 aperture. EDM machined and hand lapped. $600.00
Lee Utterbach 16SR Video Assist includes SD color CCD camera. Developed by Lee Uttebach and CEI, this compact unit is compatible with larger modern lenses such as Cooke SK4 and Zeiss Ultra 16. Discontinued in 2010 when Lee Utterbach closed.
Includes installation at CinemaTechnic in Hollywood, CA $2495.-
Jurgen’s Jurgen’s 16SR Video Assist Tap (optics, without camera) installs on 16SR J-Bar
$3250.- SOLD Jurgen’s Video Assist products no longer available
FILM CAMERA BATTERIES
ARRI Battery / Charger Package: NCL-08D Charger, 8-12-16V switchable, with built-in discharger, and 3x NC 12/7R-1 12v 7 Amp-Hour compact block batteries. Well suited for 35III or 35BL package. Needs new cells. -Inquire
EYEPIECES AND EYECUPS
ARRI 35IIC / 16BL / 16SR eyepiece with eyecup. Auto-closure version $195.- Non auto-closure $175.- Limited supply.
ARRI complete eyecup assembly with metal frame (no closure door) Limited supply $95.-
ARRI rubber eyecups for 35IIC / 16BL / 16SR 1-2 style eyepiece (replacement rubber only) Limited supply: $49.-
EP-BL3 ARRI ARRI 35BL-3 type Wide Angle Eyepiece w/ Eyecup. 10x magnification, for 16SR, 35IIC, 35-3, 35BL (standard on 35BL-3). Fully overhauled, glass is perfect. Uses small size eyecup. Inquire
LENS MOUNTS FOR FILM CAMERA BODY
ARRI Bayonet mount for ARRI 35-3 (very rare) Inquire.
CinemaTechnic Complete Super-35 Conversion Kit for Arriflex 35III. Includes custom Super-35 PL Mount (complete with backing plate), Full Aperture Gate (18.6 x 24mm, Mk. I version), Super-35 Ground Glass Holder, Your choice of Super-35 Ground Glass (NEW) $2395.00 only one kit remaining
STILL PHOTOGRAPHY ITEMS
MF-4 Nikon MF-4 250 Exposure Back for Nikon F3 Extremely rare. Type used on Space Shuttle (requires MD-4 motor drive on Nikon F-3) *make offer*
Nikon Nikkor AiS 85mm f1.4, manual focus. One of the best Nikkor primes ever made. SOLD
CLEARANCE – ITEMS UNDER $250
ARRI Arriflex 16SR Magazine Port Cover – covers mag port so you keep gate and film movement clean while your mags are being loaded. Conveniently allows for shot set-up while mags are in the hands of the loader. $45.-
ARRI ARRI Prime Lens gear for Follow Focus II, modified for clearance on 35mm cameras with mirror shutter below lens mount (ARRI 35BL, 435, 535, ARRICam, Moviecam). Will not scratch paint off these cameras. $145.-
ARRI ARRI Lightweight Support Rods for 16SR or 35-III, black andodized rods
$ 245.- SOLD
ARRI ARRI standard handgip for ARRI 16 BL (no wiring or switches) $75.-
ARRI standard eyecup (metal part minus rubber eyecup) for original small (35IIC, 35BL I-III, 16BL, 16SR) eyepiece
ARRI Mag Port Cover for ARRI 16 BL – LIKE NEW
Tiffen Series 9 85 Filter
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Last update 15 Feb 2018
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